FollowIn current debates on museums and participatory exhibition experiences, the centre of attention is on the curatorial and the museological, and in regards to art museums, obviously on the participatory or relational potentials of the exhibited artworks and installations. Hence, it is time now to give attention to the relational aspects of museum architecture, in particular to exploring the relational field between the exhibited (art), the architecture, and the visitor, as well as the engagement or disengagement of museum architecture in exhibition experiences.
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