{"id":664,"date":"2018-07-04T08:07:45","date_gmt":"2018-07-04T07:07:45","guid":{"rendered":"http:\/\/callsforpapers.ihbc.org.uk\/?p=664"},"modified":"2018-07-04T08:07:45","modified_gmt":"2018-07-04T07:07:45","slug":"call-for-papers-reading-the-country-house","status":"publish","type":"post","link":"https:\/\/callsforpapers.ihbc.org.uk\/?p=664","title":{"rendered":"CALL FOR PAPERS: Reading the Country House"},"content":{"rendered":"<p><strong>16\u201317 November:\u00a0<em>Reading the Country House<\/em>\u00a0(Manchester)<\/strong><\/p>\n<p>Country houses were made to be read \u2013 as symbols of power, political allegiance, taste and wealth. \u00adThis places emphasis on the legibility of their architecture and decorative schemes, and their paintings, collections and furniture. It also draws our attention to the skills required to decode the signs. \u00adThe messages and processes of reading were carried further by 18th- and 19th-century images: in private sketch books and journals, in engravings and in guidebooks. These allowed the country house to be read in very different ways, as did its appearance in novels as backdrop and social symbol. \u00adThis conference at Manchester Metropolitan University seeks to explore such perspectives on reading the country house, and link them to how the house is read today, by managers, visitors and viewers of period dramas. Keynote speakers\u00a0\u00a0<strong>Phillip Lindley FSA<\/strong>\u00a0\u00a0(Loughborough) and Kathryn Sutherland (Oxford). If you would like to present a paper please send title and 200-word abstract with a very brief biography to Jon Stobart at\u00a0\u00a0<a class=\"mailto-link\" href=\"mailto:j.stobart@mmu.ac.uk\" target=\"_blank\" rel=\"noopener\">j.stobart@mmu.ac.uk<\/a>\u00a0\u00a0by 31 August 2018.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>16\u201317 November:\u00a0Reading the Country House\u00a0(Manchester) Country houses were made to be read \u2013 as symbols of power, political allegiance, taste and wealth. \u00adThis places emphasis on the legibility of their architecture and decorative schemes, and their paintings, collections and furniture. It also draws our attention to the skills required to decode the signs. \u00adThe messages [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-664","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/664","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=664"}],"version-history":[{"count":1,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/664\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=\/wp\/v2\/posts\/664\/revisions\/665"}],"wp:attachment":[{"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/callsforpapers.ihbc.org.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}